There is simply no precedent for such a thing being on the market. Now it was time to get playful, to push style to its limits, to overdo everything that could be overdonejust the sort of thing Cellini was good at. the cellar is a Mannerist masterpiece. Crime investigation found small, blue enamel remains in the showcase at the KHM . The sculpture was wrapped inside in linen and plastic. , translated by George Bull (London: Penguin Books, 1998), (Cambridge: Cambridge University Press, 2002), Blood, Milk, Ink, Gold: Abundance and Excess in the French Renaissance, (Chicago, Illinois: Chicago University Press, 2006), https://smarthistory.org/cellini-salt-cellar/, New chapter! The salt cellar was stolen from the museum in May 2003 and recovered by police in January 2006. [citation needed], Coordinates: .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}481213N 162143E / 48.2036N 16.3619E / 48.2036; 16.3619, "Selected masterpieces The Goldsmith's Art: Sogenannte Saliera", "For Stolen Saltcellar, a Cellphone Is Golden", "Famed 'La Saliera' sculpture back on display in Vienna", "Inflation Calculator: Bureau of Labor Statistics", https://en.wikipedia.org/w/index.php?title=Cellini_Salt_Cellar&oldid=1125383469, This page was last edited on 3 December 2022, at 18:32. Slate is published by The Slate Group, a Graham Holdings Company. Enter your email address to subscribe to this blog and receive notifications of new posts by email. Flickr photos, groups, and tags related to the "cellinisalt" Flickr tag. The artwork had suffered only minor damage. The gallery lights glinted off an intricately worked gold and enamel surfacethis was the famous salt cellar by the sixteenth-century Florentine sculptor and goldsmith, This object takes the form of an oval base, on which two nude figures sit facing each other. Q. They had recovered the unique gold and enamel cruet set and caught the man suspected of stealing it. But for nearly three years the Austrian police had no idea what had happened to the 35m figurine after it was stolen in 2003 from a Vienna museum. Beyond such practical terms, its as worthless as it is priceless. In truth, then, I misspoke when I said the piece was worth all that money since theres no possible market for it, no economic transaction in which it can functionexcept, perhaps, ransom or insurance. Details. Kunsthistorisches Museum, Vienna. Robert Mang stole the gold an enamel sculpture from Viennas Fine Arts Museum in 2003, easily skirting the security cameras and alarm systems. Why commission artwork during the renaissance? The thieves who took it had a laughably easy job: They broke into the museum at about 4 a.m., setting off an alarm that a guard then immediately reset, assuming it was a glitch in the security system. Cellini tells us that he had five workmen to help him with this and other artistic activities for King Francis I. The thief, Robert Mang was an alarm-systems installer . On 11 May 2003, the cellar was stolen from the Kunsthistorisches Museum, which was covered by scaffolding at that time due to reconstruction works. And as the last of these diminishes to a single viewer, the worth of the object approaches nil. Yesterday, detectives were celebrating a double triumph. The role of the workshop in Italian renaissance art, Images of African Kingship, Real and Imagined, Introduction to gender in renaissance Italy, Sex, Power, and Violence in the Renaissance Nude, Confronting power and violence in the renaissance nude, Renaissance Watercolours: materials and techniques, The conservators eye: Taddeo Gaddi, Saint Julian, Florence in the Late Gothic period, an introduction, The Arena Chapel (and Giottos frescos) in virtual reality, Giotto, Arena (Scrovegni) Chapel (part 1 of 4), Giotto, Arena (Scrovegni) Chapel (part 2 of 4), Giotto, Arena (Scrovegni) Chapel (part 3 of 4), Giotto, Arena (Scrovegni) Chapel (part 4 of 4), A rare embroidery made for an altar at Santa Maria Novella, Andrea Pisano, Reliefs for the Florence Campanile, The Ponte Vecchio (Old Bridge) in Florence, Siena in the Late Gothic, an introduction. It Takes a Thief to Install an Alarm. On it there are two recumbent figures: One represents the Earth, with a miniature temple by her side where peppercorns were to be stored; the other represents the sea, with a boat beside him for holding salt. It was featured in an episode of Museum Secrets on the History Channel. The theft occurred at around 5:30 a.m., Scotch Plains Police report. Here he had a holiday home. I'll give you a moment to ponder the conjunction of a piece . The Saliera, of rolled gold, was created by Cellini for Francis I of France between 1540 and 1543. Last week a man was sentenced to five years in prison for the theft of this Benvenuto Cellini salt-cellar. (the male figure) and the earth (the female figure) and was commissioned by Francis I, the king of France. This is the Cellini Salt Cellar, an elaborate gold and enamel table decoration, measuring only 10 inches in height. The suspect - a 50-year-old man - phoned up to deny his involvement, but later together with his lawyer confessed, leading detectives on Saturday to a wood near Zwettl, a town 55 miles north of Vienna, police said. But for nearly three years the Austrian police had no idea what had happened to the 35m figurine after it was stolen in 2003 from a Vienna museum. Ultimately it remains unclear whether Cellinis salt cellar was ever meant to be used, or just enjoyed as an ornament. In 2003, a 16th century gold salt cellar made by Benvenuto Cellini was stolen from Vienna's Art History Museum. The stealthy and stunning heist was one of the biggest art thefts in Europe in recent years. The saltcellar shows an allegory of the Earth and the interplay of land and sea. Despite these distractions, his career proceeded apace. The cellar is the only remaining work of precious metal which can be reliably attributed to Cellini. It stands about 26cm tall. Mr Geiger said the suspect had marked four trees so he could find the sculpture. It was later recovered in January 2006 near Zwettly, Austria. He confessed to three murders and was several times imprisoned, in one instance breaking out of the Castel SantAngelo in Rome by climbing down a homemade rope of knotted bedsheets. The Saliera is so intricate and valuable that it's known in the KHM as 'the Mona Lisa of . The raid was one of the most embarrassing in art history, but it was only several days later, through the media, that the thief realised he had made off with a Renaissance masterpiece. , Cite this page as: Alice Blow, "Benvenuto Cellini, Salt Cellar," in, Reframing Art History, a new kind of textbook, Guide to AP Art History vol. After hiding it under his bed for a couple of years he attempted to ransom it back. Original reporting and incisive analysis, direct from the Guardian every morning, Safely returned: Cellini's salt cellar, which had been stolen in 2003. Questions or Comments? Its right side has a man with a trident and a ship symbolizing water, while its left side has a woman representing the Earth. The base is about 33.5cm wide and features bearings to roll it around. Its return has prompted national rejoicing. These are bordered by agricultural and musical instruments, representing the man-made world in miniature. The Saliera was recovered on January 21, 2006 buried in a lead box in a . Now it seems he will return to selling and installing alarm systems: (via) he had distributed advertising leaflets and made appointments to check on the state of installed alarm systems or to install new ones . [4] It was originally part of the Habsburg art collection at Castle Ambras, but was transferred to the Kunsthistorisches Museum in Vienna during the 19th century. But anyone whos taken an introductory art history class would recognize the Cellini at a yard sale. The intricate, 10-inch-high sculpture, known as the Saliera, or salt cellar, is valued at about $57 . But the same forces that make the Cellini so valuable at auction make it almost impossible to sell on the black market. Cellini made the thing of gold, enamel, and ivory between 1540 and 1544, on commission for the king of France. To the viewing public, then, art is worth only and exactly the pleasure they get from looking at it. "There was a lot of snow. On 11 May 2003, the cellar was stolen from the Kunsthistorisches Museum, which was covered by scaffolding at that time due to reconstruction works. According to his Autobiography,itself one of the masterpieces of the Renaissance time period, he led an especially colorful life, full of brawls, feuds, and clandestine bouts of buggery. Personifications of the four winds adorn the salt cellars base, depicted as heads and shoulders, with puffed out cheeks, as if blowing. . Demeter sits beside a temple which holds pepper. The cellar was recovered on 21 January 2006, buried in a lead box in a forest near the town of Zwettl, Austria, about 90km north of Vienna. He sent a number of ransom notes to the museums insurance company threatening to melt the work down if he wasnt paid 10-million. It was translated into German by Goethe, who regarded him as a key Renaissance figure. He sent a number of ransom notes to the museums insurance company threatening to melt the work down if he wasnt paid 10-million. It would be desired by every great museum in the world, every great collection in the world. He told us afterwards it [the theft] was all rather spontaneous.". When a thief broke into the Kunsthistorisches Museum in Vienna in 2003, one object in particular caught his attention. Still, one can speculate about what would happen were such an auction to take place. Cellini created the 28cm high Saliera in Paris between 1540 and 1543 after it was commissioned by King Francis 1 of France. Unfortunately, this 15-inch salt bed was stolen in 2003 when it was exhibited at a museum in Vienna, Austria. 20th Century Italian Silver 800 and Ebony "Benvenuto Cellini Salt Cellar"Replica. Selva Rey Chocolate Banana Milkshake. Welcome to the Illicit Cultural Property Blog. That was his mistake. . "For most of the time he kept it in a suitcase under his bed of his flat. But theres only one Cellini table piece. Well, this is fun, this talk of art and money; its like a hyper-inflated episode of the Antiques Roadshow. Cellar started with a handwritten menu of dishes I like to eat and antique pieces from St Boniface Church on 2nd Ave. in Jersey city. Neptune, with his trident, is surrounded by seahorses and sits beside the model ship which holds the salt. About. Benvenuto Cellini (/ b n v nj u t o t l i n i, t -/, Italian: [bevenuto tellini]; 3 November 1500 - 13 February 1571) was an Italian goldsmith, sculptor, and author. The female figure (Tellus, the earth mother goddess) has her right fingers resting on a, The poses of the two main figures relates to the production of salt. Its a sensational piece; its extraordinary. Let's start with the autobiography. But he knew how to create luxurious objects, and the tone of the times was just right for his flourishes. The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini. I am a Professor at South Texas College of Law Houston where I teach art and cultural heritage law, among other subjects. Picture Data. In the meantime theres this small consolation: If whoever has it paid more than $3.98 for it, he got rooked. "New" Leonardo da Vinci seized in Switzerland, Smash and Smash at the Dallas Museum of Art, Elizabeth Marlowes Review of The Brutish Museum, The Terrific Pandora Papers Looted Art Article, Italian Senate renews call for return of the Bronze Statue of a Victorious Youth. On May 11, thieves stole a saltcellar worth $58,000,000 from the Kunsthistorisches Museum in Austria. he will return to selling and installing alarm systems: I am a Professor at South Texas College of Law Houston. But the Cellini is uniqueand not just in the sense in which all artworks are unique: Nothing even remotely like it exists. Victoria C. Gardner summarizes it perfectly in The Sixteenth Century Journal: . It was later recovered in January 2006 near Zwettly, Austria. ", How did the police feel, knowing the "Saliera" was safe? 3 (#99152), Dr. Elena FitzPatrick Sifford on casta paintings, Beginner's guide to the Early Modern period, Classic, classical, and classicism explained, Expanding the Renaissance: a Smarthistory initiative. His friends immediately recognised him. Had it been melted down, or was it gracing the home of an unscrupulous collector. He climbed into the museum which was covered in scaffolding at the time, and took the work. It later passed into the possession of Archduke Ferdinand of Tyrol, before ending up in the imperial Viennese collection. It was a high-risk operation. The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini. On May 11, 2003, the Saliera was stolen from the Kunsthistorisches Museum, which was covered by a scaffolding at that time due to reconstruction works. His skills were undeniable, and so was his conniving. his lawyer Lukas Kollmann said: He wants to be left alone in order to lead a normal life again., Photo Credit: Herbert Pfarrhofer/European Pressphoto Agency. He was, in many ways, a monstrous mana terrible braggart, vain, egotistical, and self-serving. Artists: Search: Glossary: Contact: Info: CELLINI, Benvenuto (b. "It was a very good feeling. The cellar is the only remaining work of precious metal which can be reliably attributed to Cellini. Its an icon of its period, David Redden, vice chairman of Sothebys, says of the saltcellar. The saltcellar is Cellini's only fully authenticated work in gold. Page of Salt Cellar by CELLINI, . ' The Cellini Salt Cellar Incident ' By Phineas Redux OOO Contact: Phineas_Redux@yahoo.com . I work to provide regular updates on thefts, antiquities looting, scholarship involving these disputes, and legal developments in the field. The recovery of the treasure is likely to relieve pressure on museum officials who faced accusations of ineptitude when it disappeared on May 11 2003. For those of usand it is most of uswho neither buy nor sell artworks, art is free, or nearly so. The gold is not cast in a mould but hammered by hand into its delicate shape. Finding out that he had in fact stolen Cellini's famed masterwork, one of the most prized objects in the Kunsthistoriches Museum, the thief buried this treasure in a nearby . Last November the suspect agreed to give the cruet set back - but called off the handover by text message after allegedly leading police on a wild goose chase through the streets of Vienna. Gallery-going remains one of the only forms of cultural adventure that costs nothing at all, andmany museums do not charge more than the price of a movie to get in and take a look. The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part-enamelled gold table sculpture by Benvenuto Cellini. This is the Cellini Salt Cellar, an elaborate gold and enamel table decoration, measuring only 10 inches in height. It was completed in 1543 for Francis I of France, from models that had been prepared many years earlier for Cardinal Ippolito d'Este. Email me at derek.fincham@gmail.com, He sent a number of ransom notes to the museums insurance company threatening to melt the work down if he wasnt paid 10-million. It had been the greatest art theft in Austrian history. On 11 May 2003, the cellar was stolen from the Kunsthistorisches Museum, which was covered by scaffolding at that time due to reconstruction works. By the artists own (often exaggerated) account, it was used at least once for a dinner party of his friends, before it took its place in the kings collection. Do you speak Renaissance? Flavors $1 Raspberry: Raspberry falernum Mocha: Mr. Black coffee liqueur Spiced: Pimento Dram. Whats more, art is a public thing; it gets its meaning from the interaction of artist, material, and audience. Cellini writes that Neptune and Telluss feet intertwine just as we see some branches of the sea running into the land. Argenterie di Milano (Maker) Dimensions. "Our biggest fear was that it would get melted down," Mr Geiger said. And who had stolen it in the first place, shinning up scaffolding and breaking a window and display case at the capital's sumptuous art history museum without the guards noticing? As Cellini reached adulthood, Italian art was entering into its Mannerist phase. Benvenuto Cellini, Salt cellar, 1540-43, gold, enamel, ebony, and ivory, 28.5 x 21.5 x 26.3 cm (Kunsthistorisches Museum, Vienna; photo: Steven Zucker, CC BY-NC-SA 2.0) This object takes the form of an oval base, on which two nude figures sit facing each other. . The classic silver round or oblong salt cellar with legs started appearing in the 1700s. The theft provoked angry questions in parliament; Austria's biggest tabloid, the Kronenzeitung, called it "scandalous". It is, then, a peculiar thing to appraise. His best-known extant works include the Sculptor Benvenuto Cellini is best remembered for two things: his bombastic autobiography, the Vita, in which he confesses to multiple murders and a spectacular jailbreak, and for his salt cellar.Yes, that's righta dish for salt. Have you seen this saltshaker? Benvenuto Cellini's salt cellar called the 'Saliera' was stolen from the Viennese Museum of Fine Arts in 2003. Juan Martnez Montas and Francisco Pacheco, Porcelain, gold, and the Dutch East India Company, Louis le Vau, Andr le Ntre, and Charles le Brun, Chteau de Versailles, Claude Perrault, East faade of the Louvre, John Michael Wright, The Coronation Portrait of Charles II, Different Places: Japanese porcelain with English gilt-bronze mounts, The Formation of a French School: the Royal Academy of Painting and Sculpture, Joachim Michael Salecker, Cup with cover with Hebrew inscriptions, Central and Eastern Europe in the 17th18th century, The Age of Enlightenment, an introduction, Pierre-Alexandre Barthlmy Vignon, Church of La Madeleine, Jacques-Germain Soufflot, The Panthon (Church of Ste-Genevive), Paris, J. Schul, Portrait of a Lady Holding an Orange Blossom, Portraits of Francisca Ramrez de Laredo and Antonio de Ulloa. Bernard van Orley and Pieter de Pannemaker, Boxwood pendant miniature in wood and feathers, This isnt just an engraving of Adam and Eve from 1504. Filippo Brunelleschi and Lorenzo Ghiberti, Orsanmichele and Donatello's Saint Mark, Florence, Andrea della Robbias bambini at the Ospedale degli Innocenti, Florence, Alberti, Faade of Santa Maria Novella, Florence, Northern Italy: Venice, Ferrara, and the Marches, Devotional confraternities (scuole) in Renaissance Venice, AldoManuzio (Aldus Manutius): inventor of the modern book. . Its multiple levels of allusions, spanning ancient mythology, natural philosophy, and contemporaneous art, undoubtedly created rich and open discussions and showcased the artists own wit. Its a national treasure; museums exist to acquire these sorts of artifacts, and no one ever sells them: To do so would be like hocking the Liberty Bell. He was obsequious to his benefactors (among them two popes, one of the Medicis, and King Francis I of France) and savagely dismissive of his competitors. Art, like any other commodity, receives its worth partly from the quality of the artifact and partly from its scarcity. Benvenuto Cellini, Salt cellar, 1540-43, gold, enamel, ebony, and ivory, 28.5 x 21.5 x 26.3 cm (Kunsthistorisches Museum, Vienna). Preview. It was stolen on May 11, 2003 from the Kunsthistorisches Museum in Vienna. It was all properly waterproofed. The cellar was stolen from the Kunsthistorisches Museum in 2003, but recovered three years later. This pose acts as an allegory for the origins of salt, then thought to be produced through the intermixing of substances from the sea and land. Stolen Wedding Ring Returned To Passenger At Newark Airport, Feds Say - Newark, NJ - "The police understood the urgency in tracking down the man before he was able to fly off," a TSA official said. From his descendant Charles IX it passed to Archduke Ferdinand II. Additional reclining figures, representing winds and the times of day, are carved into the base upon which the whole thing stands. . Salt Cellar. Photograph: Barbara Gindl/EPA. salt-cellar. The hunky gent sitting across from her represents Neptune, the god of the ocean, The 500 year-old work may be worth as much as $50 million. For a renaissance viewer, these figures of Land and Sea would have also suggested the elements of earth and water, two of the four materials from which all matter was thought to be made, along with fire and air, The base is decorated with four figures in reclining poses, which, according to Cellini, can be identified as Night, Day, Twilight and Dawn, and draw on. We dug for an hour. Carlo Crivelli, Sala dei Mesi (Hall of the Months) at Palazzo Schifanoia, Toward the High Renaissance, an introduction, Preparatory drawing during the Italian renaissance, an introduction, Nicola da Urbino, a dinner service for a duchess, Unfinished businessMichelangelo and the Pope, A chapel for Eleonora di Toledo, Duchess of Florence, An introduction to the Northern Renaissance in the fifteenth century, Introduction to Fifteenth-century Flanders, Introduction to Burgundy in the Fifteenth Century, Northern Renaissance art under Burgundian rule, The role of the workshop in late medieval and early modern northern Europe, Biblical Storytelling: Illustrating a Fifteenth-Century Netherlandish Altarpiece, The question of pregnancy in Jan van Eycks, The Holy Thorn Reliquary of Jean, duc de Berry, An introduction to the Northern Renaissance in the sixteenth century, Inventing America for Europe: Theodore de Bry, Johannes Stradanus and Theodoor Galle, The Discovery of America. [8], The sculpture is insured for an estimated $60 million (approx. The Cellini Salt Cellar is a place for salt and pepper which Benvenuto Cellini created for the King of France in the 1500s. The salt cellar Cellini made depicts Neptune and Demeter, the gods of the ocean and agriculture. A corrupt collector with, say, a stolen da Vinci drawing can probably hang it safely on his wall; only a specialist would know the provenance of the thing. Reservation. One of the museum's most important objects, the Cellini Salt Cellar sculpture by Benvenuto Cellini, was stolen on 11 May 2003 and recovered on 21 January 2006, in a box buried in a forest near the town of Zwettl. The Cellini Salt Cellar or the Saliera, Benvenuto Cellini's table-sculpture-cum-salt-and-pepper-shaker was stolen from the Kunsthistorisches Museum in Vienna in May of 2003. Done . On March 13, a resident in the 1500 block of Ramapo Way reported the theft of their 2015 white BMW 435XI. Cellini's gold and enamel container for salt and pepper is the most famous example of Mannerist goldsmithery. Its a hot potato: Show it, and you might as well be wearing a sign that says Arrest me.. The theft was listed at one time as one of the FBIs Top Ten Art Crimes. Its a global ad campaign, Gerhard Emmoser, Celestial globe with clockwork, Portraits of Elizabeth I: Fashioning the Virgin Queen, The conservators eye: a stained glass Adoration of the Magi, The Gallery of Francis I at Fontainebleau (and French Mannerism), Follower of Bernard Palissy, rustic platter, Introduction to the Protestant Reformation (part 1 of 4): Setting the stage, Introduction to the Protestant Reformation (part 2 of 4): Martin Luther, Introduction to the Protestant Reformation (part 3 of 4): Varieties of Protestantism, Introduction to the Protestant Reformation (part 4 of 4): The Counter-Reformation, The Council of Trent and the call to reform art, Iconoclasm in the Netherlands in the Sixteenth Century. As a boy, he had apprenticed with a local craftsman and then studied briefly with Michelangelo. Nicola Pisano, Pulpit, Pisa Baptistery, and Giovanni Pisano, Elisha ben Abraham Cresques and the Farhi Bible, Illustrating a Fifteenth-Century Italian Altarpiece, Linear Perspective: Brunelleschis Experiment, Benozzo Gozzoli, The Medici Palace Chapel frescoes, Perugino & Napoleons appropriation of Italian cultural treasures. For some years, he fashioned medallions and the like for popes and cardinals; in his 40s he finally got the chance to produce full-scale sculpture, most notably a statue of Perseus beheading Medusa that now stands in the Loggia dei Lanzi, Florence. Info. The discoveries of the Renaissanceperspective, knowledge of the human form, heightened compositional sophisticationhad been assimilated into visual culture. Preview Picture Data . Lose a Warhol, and you can always get another one. Two views of the stolen Cellini. $ 14.00. Had it been melted down, or was it gracing the home of an unscrupulous collector? Benvenuto Cellini, Salt cellar, 1540-43, gold, enamel, ebony, and ivory, 28.5 x 21.5 x 26.3 cm (Kunsthistorisches Museum . "Today will go down in history. It was stolen on May 11, 2003 from the Kunsthistorisches Museum in Vienna. Theres nothing else like it. , 154045, bronze, 2.05 4.09 m (The Louvre; photo: The complex imagery of the salt cellar would have appealed to the French king and his court for several reasons. ", The head of Vienna's criminal police described how he got the saltcellar back. It came into the possession of the Habsburgs as a gift by Charles IX of France to Archduke Ferdinand II of Tyrol, who had acted as a proxy for Charles in his wedding to Elisabeth of Austria. Some of the gold surfaces were, In his autobiography, Cellini included an extensive description of the salt cellar that. He claimed to have had a couple of beers before the theft. its own fame had cast a protective spell. The artist also found ways to imply that this harmony of Land, Sea, times of day (Night, Day, Twilight and Dawn), and winds, as well as human life, ultimately stems from the kings power. Italian salt cellar Completely handmade, worked in fusion and finished with chisel. The thief, Robert Mang,[6][7] turned himself in after police released surveillance photos of the suspect which were subsequently recognized by acquaintances. You can use the Cellini at your table, I suppose, in which case its worth about as much as a pair of plastic salt and pepper shakers from Target: $3.98 or so. A video camera captured the suspect buying a mobile phone. The suspect in his text message had said he was "angry that the police were involved and said he was considering turning it into scrap". [2][3] The salt cellar is made of ivory, rolled gold, and vitreous enamel. It was stolen from the museum in May 2003 and recovered by police in January 2006. . [citation needed]. The salt cellar was stolen from the museum in May 2003 and recovered by police in January 2006. one of the kings personal emblems) next to the temple. "Our joy is extraordinary," Austria's culture minister, Elisabeth Gehrer, said showing off the 16th century sculpture or "saliera", which depicts a trident-wielding Neptune reclining opposite a languorously naked woman. He knew of course that there was no legitimate market for the object, so instead hid the salt-cellar under his bed and then buried it in a forest. Though eventually a photo of him was circulated and he was forced to turn himself in to the authorities, Mang turned himself in to the police, and served two years and nine months in prison. Theft and Return. It is one of the world's greatest Renaissance artefacts, an extraordinary gold-plated saltcellar by the Florentine genius Benvenuto Cellini. As the only solid gold sculpture that Cellini ever made, the nude lady enjoying some self-exploration represents Ceres, the goddess of agriculture, and she's lounging next to her very own temple that stores peppercorns. The museum had offered a reward of 70,000 for its recovery. $68.3million in CPI-adjusted 2012 United States dollars[9]) by Uniqa Insurance Group, an Austrian insurance company. It showed a smiling, middle-aged man with thick black hair and brilliant white teeth. Its our view that $58 million is, if anything, much too low. On May 11, thieves stole a saltcellar worth $58,000,000 from the Kunsthistorisches Museum in Austria. FULL GALLERY. When the famous 1540s Cellini salt cellar was stolen from the Kunsthistorisches Museum in Vienna, Austria, some news reports said it was gold-plated. In this case certainly, the owners and insurers made the rigt decision, but it must have been a difficult one in the face of the potential destruction of the work. "He had collected sculptures in his youth and had a feeling for them," Ernst Geiger told the Guardian. But for nearly three years . Primitive Gilding. 1540-44. Two views of thestolen Cellini. The thief set off the alarms, but these were ignored as false, and the theft remained undiscovered until 8:20am. The 500 year-old work may be worth as much as $50 million. Last Friday, after weeks of deliberation, the police published the picture. What's the Difference Between a Pawnshop and antique shop? Security system specialist Robert Mang is arrested in Germany for stealing rare gold-plated saltcellar sculpture by Benvenuto Cellini from Kunsthistorisches Mueseum in Vienna; had held sculpture . Benvenuto Cellini was a 16th-century Florentine sculptor and goldsmith. Eventually we found a metal box. [5] The museum offered a reward of 1,000,000 for its recovery. All rights reserved. The arts of Africa, c. 18th20th century. Cellini stamped the base with golden Fs for Francis. And then there was the saltcellar. Their smooth finish is the result of hours spent painstakingly hammering them into . Gold, enamel and ebony, 26 x 33,5 cm. The handle represents the God Bacchus . Placed on wheels to rotate and move the work along the table, this object was intended to form a centerpiece for the French kings dining table, and the conversations of the surrounding courtiers. We could be talking nine figures. Which would be a record sale, by many millions of dollars. CALL US: (201) 222-1422. CELLAR 335, 335 NEWARK AVE, JERSEY CITY, NJ 07302. A number of thieves attempt to ransom their ill-gotten gains back to the insurance companies or original owners, and its unclear how often a ransom is paid. Height: 10.24 in (26 cm) Width: 12.21 in (31 cm) Depth: 7.88 in (20 cm) . Robert Mang stole the gold an enamel sculpture from Viennas Fine Arts Museum in 2003, easily skirting the security cameras and alarm systems. Ill give you a moment to ponder the conjunction of a piece of tableware and all those zeros, and then well begin again. [1] In Cellini's description, the sea was represented by a male figure reclining beside a ship for holding the salt; the earth he "fashioned like a woman" and placed a temple near her to serve as a receptacle for pepper. He had a sudden memory of that time, as a spotty youth, when he had stolen Becky Armstrong's sticky bun at a church picnic, only to realise that that imposing replica of Goliath, Mrs Rowbotham, had seen his every move; the resulting . often used to suggest a sexual relationship in renaissance art. The figure they cited is stunning, and no wonder: It comes out of an empyrean that few objects ever visit. The Cellini Salt Cellar (in Vienna called the Saliera, Italian for salt cellar) is a part- enamelled gold table sculpture by Benvenuto Cellini.It was completed in 1543 for Francis I of France, from models that had been prepared many years earlier for Cardinal Ippolito d'Este. The suspect had only buried the sculpture there recently, Mr Geiger said. Creator. It was four hours before anyone noticed the saltcellar was gone; Interpol was then called in and the enormous price tag released to the press. "He also ran an alarm firm and was an expert in alarm systems. Mon 23 Jan 2006 07.16 EST. The king and his court had particular taste for complex ornament and allegory, as well as sexual imageryexemplified by the frescoes that adorned the kings favorite palace at. When the famous 1540's Cellini salt cellar was stolen from the Kunsthistorisches Museum in Vienna, some news reports said it was gold-plated. Salt cellars for table use were displaced by salt shakers when reliably free-flowing salt became available. The loss of the Cellini is heartbreaking, but theres a chance it will be recovered; these things often are. We had to clear it away. Luckily the police immediately arrested the thief and managed to secure evidence which was estimated to cost . t is one of the world's greatest Renaissance artefacts, an extraordinary gold-plated saltcellar by the Florentine genius Benvenuto Cellini. Make your reservation now! All contents 2022 The Slate Group LLC. SELVA REY CHOCOLATE RUM, SMITH & CROSS JAMAICAN RUM, COCONUT, BANANA. Rembrandts are hard to find, but not impossible. The thief, Robert Mang was an alarm-systems installer with no criminal history. It measures about 10 inches by 13 inches, and it remains, to this day, one of the most striking and celebrated works of Mannerist designindeed, the very emblem of that eras excesses. Everything was professionally done." [1] It was created in the Mannerist style of the late Renaissance and allegorically portrays Terra e Mare (Land and Sea). According to Cellini, the king himself gasped in amazement and could not take his eyes off it. No other work of Cellinis goldsmithing survives. Beside Neptune (or Sea) there is a small bowl in the form of a ship, designed to hold salt, while a temple beside Tellus, or Land, would have held pepper. But of course its beside the point. 1500, Firenze, d. 1571, Firenze) Salt Cellar 1540-44 Gold, enamel and ebony, 26 x 33,5 cm . Benvenuto Cellini created the Cellini Salt Cellar of gold and enamel in 1540 featuring Poseidon and Amphitrite ( water and earth ) placed in uncomfortable positions and with elongated proportions. But it worked.". The suspect "was a funny guy," he said. A riotous publicity hound who was jailed for murder and then released after the intervention of the Medicis and the pope, Cellini was a gifted follower of Michelangelo and penned a self-promoting "autobiography". This salt cellar is a story of twisted romance, stolen art, and buried treasure. Their smooth finish is the result of hours spent painstakingly hammering them into shape, while the ebony base was meticulously polished to shine like black marble. I t is one of the world's greatest Renaissance artefacts, an extraordinary gold-plated saltcellar by the Florentine genius Benvenuto Cellini. He later tried to blackmail the insurance company, Mr Geiger alleged, demanding first 5m (3.4m), then 10m. You sometimes need good nerves. Cellini tells us that he had five workmen to help him with this and other artistic activities for King Francis I. . Cellini Salt Cellar - Theft and Return. He knew exactly how to steal it. Spain and Portugal in the 15th and 16th centuries: The Rise and Fall of the Avis Dynasty in Portugal, an introduction, Fifteenth-century Spanish painting, an introduction, Tomb of Juan II of Castile and Isabel of Portugal, Treasure from Spain, lusterware as luxury, Royal monastery of Nuestra Seora de Guadalupe, Apostle or Saint, bringing the figure to life, Sacred geometry in a mudjar-style ceiling, Francis Bacon and the Scientific Revolution, Restoring ancient sculpture in Baroque Rome, Francesco Borromini, San Carlo alle Quattro Fontane, Rome, Caravaggio and Caravaggisti in 17th-century Europe, The altar tabernacle, Pauline Chapel, Santa Maria Maggiore, Rome, A Still Life of Global Dimensions: Antonio de Peredas. 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